Phew.
It's day #0 after watching the last movie from the Neon Genesis Evangelion-franchise. I'm still in a state between exhilarated happiness and a sinking in sadness. Happiness because of how great this finale was. Sadness because this is truly the end.
I highly recommend that you watch all of the Evangelion Rebuild-movies yourself before you continue reading this article that really is just my immediate thoughts on what I saw, trying to celebrate a historical moment in the world of anime and bringing closure to a series that followed me for most of my life.
So, anyway. Let's talk about Evangelion 3.0+1.0.
Before watching the final movie, I actually decided to rewatch all the previous three movies. I had long planned to rewatch them and to be honest couldn't remember all the details, especially from how the third movie ended. The first movie was a bit boring, because it follows the classic anime-series very closely and I have kind of ingrained these events into my memory. The second movie is a feast for the eyes and ears. I will always love that entrance fight of Asuka's where she fights that weird angel with the rotating parts. Animation that screams "look, everyone, this is what modern digital technology and hd resolution allows us to accomplish!". Then comes the third movie that I also like because of how it's finally an all new plot, but that many criticized at release. I think many people didn't understand that this is a typical transition movie, a bridge between the bigger events, similar to Star Wars: Episode 2. Rewatching it now felt totally fine, because I knew I'd be directly continuing with the final movie afterwards. Which I then did.
A little warning: I don't have any proper structure for this article in mind, so excuse me if this is gonna be lots of different aspects of the movie thrown into discussion without order.
One of the best parts of the movie was without doubt the village part. The movie spent, I'm estimating, a good 45 minutes on showing how Shinji, Asuka and the latest Rei-clone spent their everyday life amongst normal people doing normal stuff. Working, family, having fun. It reminded me of the original tv-series school scenes that made a nice contrast to the crazy stuff. Similar, following these normal people, meeting some old friends, and then witnessing the crazy surroundings of the village after the 3rd impact – that was such an intriguing setting. If I had to criticize anything about this movie, then it's that it left me wanting more "Evangelion Village". Of course, the village part came to an expected shocking ending, although not as bad as I feared (as an Evangelion-fan, you learn to always expect the worst turn of events, lol).
However, despite saying "one of the best parts", I must say that
this movie's greatest strength is that it doesn't have any bad, any boring scenes. The pacing is outstanding. You get several breathtaking fight scenes of all calibers, then you have the more serene, pleastant scenes, and, most importantly, you get those lore explaining scenes that answer many of the longest standing question of this franchise. NOT without adding new confusion, though. In a good way.
I won't talk in-depth about the fight scenes, because those must simply be experienced by yourselves. Even if you don't care about Neon Genesis Evangelion, as long as you love good animation and sound design, these scenes will be pure bliss for you. The industrial design in combination with computer-based digital tools managed to create such otherworldly pictures that simply weren't possible in the past. Just when you think "how can they top THAT fight?!", the next one blows you away even further.
But this franchise wouldn't be all that if it was only for great looks. So much story! So much plot! And so many answers, done in a way that still leaves you wondering about the details. The mystery of Mari, who Kaworu was, or what Gendo truly had in mind.
BIG SPOILER, SKIP TO NEXT PARAGRAPH IF YOU DON'T WANT TO KNOW: I especially loved how the whole "everything is a cycle that keeps repeating"-theory turned out to be both true and no true. True in that, indeed, the events kept repeating. Not true in that Evangelion 3.0+1.0 is the story about breaking free from that cycle and delivers a true end.
And if that wasn't enough praise, it must be mentioned that pretty much all the characters go through some real growth. It really makes them feel more real, thinking about their situation, changing their goals, trying to continue with their life. Many will say that Shinji grew the most, but for me it was Misato who underwent the most interesting development, always struggling with her past, her losses, the people she cares about and her final goal. In a story where Shinji was the chosen one, Misato, to me, felt like the regular Joe who's choosing to oppose god-like entities, knowing that she's just a normal human being. She almost reminds me of Guts from BERSERK in that regard. I also want to say that enjoyed Kaworu's scenes. He always felt somewhat "fake", in a way that made me not feel much about him. This final movie actually gives him some long-needed humanity and I'll try to find out more about his exact circumstances that went a little over my head due to the exciting, fast-paced ending act of the movie.
Now bear with me, but me as a Monolith Soft-fan I also need to say this: Xenogears has often been named next to Neon Genesis Evangelion, both featuring similar thematics, a similar love for detail and religious motives. I wrote in great detail what I hope to see from Xenoblade Chronicles 3, and after having seen the final Evangelion-film, I feel a little bit like it spoiled a lot of the elements I expect to find there, too. The whole anti-universe part, wow. That's a lot like what I'd expect the "Upper Domain" to look be like in a Xeno-game. There's other similarities to my Xenoblade 3-predictions, but, yeah. It might turn out to be nothing, but not just as an Evangelion-fan, also as a Xeno-fan I truly enjoyed watching this insane movie.
And that is what I had on mind right now. I will absolutely rewatch this movie sooner rather than later, and probably more than once. So much too pay more attention to, so much to discuss, and so many scenes that I simply want to enjoy again. After thinking about it for a bit, I would criticize that ending is pretty much a "normie ending", as a weeb like myself would word it. It's a happy ending that pretty much tells the message: "hey, audience, your life isn't so bad. Spend less time with fantasies and unrealistic desires and go home be a family man!". This is the kind of ending that will work for the wider audience, but as a "hardcore weeb", I probably would have preferred a darker ending, or at least a somewhat ambiguous ending. But really, that's a weeb's nitpicking, because objectively speaking, the ending fits. And so does this entire final movie.
Hideaki Anno managed to accomplish one of the hardest tasks of a story teller: Creating a satisfying ending to a long-running story. And boy, he nailed that.